Holy Stitching: Talking to the Pope’s Tailor

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As the hierarchy within the Holy city is set to be restored in a matter of days, it could hardly be a more fitting time to discuss the latest holy attire that is waiting in the wings to be altered by the Sarto Vaticano. The Pope’s tailor, Giovanni La Scala.”Try lifting that” he says, as he roasts chestnuts using an old school cumbersome steel iron. La Scala looks at me scornfully as I grab my iPhone to insert frantic finger punched notes, in awe of such a spectacle. I was for sure in the studio of a very old school Roman tailor, known as the ‘sarto Vaticano’.

Minutes away from St Peter’s Square, lies this secret (and I mean secret) bottega of one of Rome’s best kept secrets, one of the Vatican’s favourite tailors. La Scala, who served the Vatican for many years, laments the dying art of the sarto. Old school traditional methods and hand made perfection. Technology has ruined everything, everything is made in China today. Technology has killed the art of tradition. Especially the art of the sarto. For someone who perfected his craft by learning to sew before he could read and write, he finds this upsetting.

Almost as perplexing as the iPhone used to record notes during our suggestively surreal meeting. “Don’t you want a piece of paper”. In the good old days, he reminisces, it was all about word of mouth. He hasn’t had an office phone in 50 years, and never uses a mobile phone. And yet his business is thriving. He needs not a name on the door. The only thing to suggest that ‘tailor’ is his trade, are the goings on behind the scenes.

La Scala came to Rome in 1952, after being trained by his mother, at five years of age, as a sarto. Soon enough, he gained the local nickname ‘sarto Vaticano’ and it was not before long that he was studying inside leg measurements of the Blessed Pope John Paul II.

A budding singer, he soon traded stitching suits for singing lessons and made his name as both a singer and a sarto. Once he had recorded a CD for John Paul II, performing privates concerts for him in both Saint Peter’s Basilica and the Paolina Chapel, his local name and fame was assured.

A very spiritual man, who credits Pope John 23rd with curing his infertility and blessing him with the gift of children, he is surrounded by black and white vintage photos of John Paul II, with not even a hint of order or digital back up copies for these priceless images.

At 80 years of age, he is proud to be a master of his trade. But doesn’t forget a poor childhood in Calabria and how far his ambitions took him. His proudest moment was when he won the Medaglia d’Oro for the best Calabrian in the world. He can also boast that he trained his brother, who then went on to become the Director of Tailoring at the Teatro dell’Opera in Rome. Keeping it in the family, Italian style.

Talking of families, another family, Gammarelli had served the Vatican since 1793 as the official tailor, a tradition which seems to have been broken by the current Pope, Benedict XVI. As usual, scandal and mystery go hand in hand. Now, it is anyone’s guess as to who is the official Papal tailor, because word on the street has it that the Pope and the Cardinals chose local artisans in the Borgo area, surrounding the Vatican city walls. And photographic evidence bestowed upon me would not prove otherwise.

So who is to know how many tailors are now dressing the Pope. But, then how long is a piece of string?

The Pope is the head of state of the smallest, and not to mention, richest, country in the world, and seriously can’t afford a fashion faux pas and need not worry with experts like La Scala waiting around the corner with a needle and thread.

For a man like La Scala, to be sewing ankle length silk robes for the Holy See is a mission accomplished, a lifelong dream for a Catholic, southern Italian traditional type.

What might they wear? Green vestments, white skullcaps and varying ensemble of ecclesiastical attire.

As we speak, silk threads are flying all over the place, as there will be many an outfitter in a flurry over the organization of the new robes for the soon to be announced new Pope.

Only the finest cloth will do. If the hat fits, wear it!

Published in Italy Magazine February 2013 http://www.italymagazine.com/featured-story/holy-stitching-talking-popes-tailor

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AltaRoma Fashion Event, Rome

Renato Balestra dressRed carpet dresses donate a dose of modernism to Hadrian’s temple. Gowns fit for an Empress, the diva sets the mood of 2013’s AltaRoma exhibit at Hadrian’s Temple in Rome. 21st century Red Carpet class and nothing less. That’s the name of the game for Silvia Venturini Fendi, who is the brainchild behind this fab fashion installation comprising of 36 of Italy’s top designers and couture houses.

There is a mysterious element of suspense upon entering the temple, the virtual red carpet. A respectful silence as onlookers glare at the beaded masterpieces. Suspense is interrupted every 4 minutes with automated camera bulb flashlights, complete with sound effects, to make you feel as though you are on the catwalk itself, as you weave yourself in and out of the various mannequins who adorn centre stage with you. To complete this experience, or for a second feeling like a star amidst such stylistic individuality, is the sound effect of a non existent audience chit chattering away, content in their admiration.

To read the full article in Italy Magazine click here AltaRoma fashion event Rome

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Italy Magazine: Olive Oil Is Alchemy @ Montefalco

 

Alchemy and olive oil just so go together. The sacred serum has not only been used to anoint leaders in history, but the affordable star potion has been hailed as a modern day preventative for cancer.

Galen, an ancient Roman physician and surgeon, is credited with using olive oil in the 2nd century AD as a moisturizer. No wonder Homer called it liquid gold.Roman women used olive oil to treat their hair and skin. It was used as an exfoliater, and for moisturizing after the sun. To heal dry brittle nails, and to make the skin shine. They were aware of its many beneficial qualities, both for our skin and for the body.

To read the full article in Italy Magazine, click here:montefalco-olive-oil-alchemy

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Audrey in Rome exhibition at Ara Pacis

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“I don’t need a bedroom to prove my womanliness. I can convey just as much sex appeal, picking apples off a tree or standing in the rain”

The discreet Belgian born British actress Audrey Hepburn had an array of wardrobe treasures, which are currently adorning the walls for droves to gush at, at the ‘Audrey a Roma’ tribute/exhibition, at the Ara Pacis Museum in Rome, in commemoration of the 50th anniversary of ‘Breakfast At Tiffany’s. It is a ‘must see’ tribute to a lady we all recognize.

Audrey Hepburn is to Rome what Jackie O was to Capri or what Elizabeth Taylor was to Acapulco. She was the epitome of elegance without excess. Little did she know that one walk in the Pincio in Rome..and her life would change forever. Rome had captured her heart and Audrey Hepburn would spend the next twenty years in Rome.

“I believe in pink.” Audrey once said, and it was dressed in pink that she married her Italian husband Andrea Dotti in 1969. On display amongst the goodies at the exhibition is her Pink cashmere jersey wedding dress and matching scarf, worn on the day.

‘Audrey a Roma’ documents her twenty years in Rome, in her three roles as mother, actress, and UNICEF ambassador, to which she was nominated in 1988. Depicting her lifestyle, personal fashion items and memorabilia the exhibition displays scarves, sunglasses, dresses by Givenchy, and a collection of handbags synonymous of her style that have been donated by her son Luca, who was involved with the curation of the exhibition.

This exhibition also marks the 6th Rome International Film Festival, and whilst there is a focus on the movies that Audrey shot in Rome, she said her role as a mother was indeed her “favorite role” and the central focus of the exhibition is her work for UNICEF thanks to which she touched the lives of many children in Africa. Heartfelt videos show Audrey in Africa fulfilling her role as Goodwill Ambassador for UNICEF and her relentless travels to Africa, Bangladesh, Somalia, Sudan, Ethiopia, Latin America and Asia from 1988 to 1992.

The Audrey Hepburn Children’s Fund, was set up in order to both commemorate and continue Audrey’s work. The Donor Club Amici di Audrey was established in 2010 by her sons Sean Ferrer and Luca Dotti, and their club members are some of UNICEF Italy’s major donors. The fundraising activities of the club contribute to the UNICEF international campaign, We Want Zero, whose aim is to support infants through to adolescence by providing nutrition, sanitation, education, and protection from exploitation and AIDS. On her last mission to Somalia in 1992, Audrey could only describe the suffering she had seen there as “Hell’’. Nineteen years later, there is yet another humanitarian crisis in the same region.

The exhibition includes the basket bag, one of Audrey’s trademark accessories, and personal treasures such as her vintage Louis Vuitton thermos flask from 1960, and a Gucci custom made leather vanity case inscribed with her initials, complete with make up brushes. Audrey collected everything from Givenchy to bags handmade by women in Africa. Other items include ‘that dress’ by Givenchy from Breakfast at Tiffanys 1960, showcasing the glamour of that era. Her Valentino, elegant green and red double breasted wool coat from 1970, and the simple white wool twill coat by Rose Bertin, 1972, all exemplifying her style and elegance. She stuck to her understated femininity during an era when women were overtly curvaceous, sporting hourglass figures and cleavage. Slim and petite, she wore the Sabrina high neckline to flatter her slender frame and cleverly often added a twist of masculinity with a tweed jacket, or a satchel bag and loafers. Displayed also is her UN passport, confirming her height at 5 ft 6.5 inches.

Audrey said: “I don’t want to be alone, I want to be left alone”…

A selection of striking unpublished shots from the archives of Reporters Associati are just some of the 150 photographs on display. These are not the celebrity paparazzi ‘off guard’ style photos of today, but a much more respectful per chance Hepburn about town type photos. Audrey’s son Luca explains, ” If the photographers happened to capture her, perhaps it might be in a little road near the Campo de’ Fiori in the moment her husband was waiting for his mother-in-law to open the door for Sunday lunch. ”

She relaxed around the city walking her Yorkshire Terrier, having cocktails with Charleton Heston at Cinecitta film studios, during the shooting of both The Nuns Story and Ben Hur, or relaxing at the Hassler Hotel with her first husband, New York director Mel Ferrer. She would also spend time strolling with her mother and became resident of the Parioli district.

The crown jewel of the exhibition has to be the 1953 pistachio Piaggio vespa from the 1953 film Roman Holiday, the movie that gained her an Academy Award. One of most iconic cinematographic images is of Audrey lovingly perched upon ‘that’ motorino alongside Gregory Peck. The exhibition catalogue is a tempting coffee table book of images of Audrey running around town or more aptly, strolling, in her Renee Mancini ballet pumps. A must have item, though only available in Italian for this exhibition, costing €24 published by Mondadori.

“Together, anything is possibile” Audrey said reflecting on her humanitarian work. Ageing with grace, she spent the last few years of her life collecting roses from her garden at ‘La Paisible’, her home in Switzerland with that famous basket bag.

Exhibition AUDREY IN ROME – tribute to Audrey Hepburn in support of UNICEF.

Curated by Luca Dotti, together with Ludovica Damiani, Sciascia Gambaccini and Guido Torlonia, with the consultancy of Sava Bisazza Terracini.

October 26 to December 4, 2011. Ara Pacis Museum, Lungotevere in Augusta, Rome. Opening hours 9 a.m. to 7 p.m. Every day except Mondays. No admission after 6pm. €10 full price, €8 reduced.(including a €2.50 surcharge to be donated to UNICEF).

The Unicef project to combat infant mortality is promoted by the Cultural Policy and Historic Centre Cultural Heritage Office for Roma in association Zètema Cultural Project.
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Image Courtesy by Sovrintendenza ai Beni Culturali di Roma Capitale, dal Comitato Italiano per l’UNICEF Onlus, dalla Audrey Hepburn Children’s Fund e da Zètema – Progetto Cultura s.r.l.

To read the full article in Italy Magazine, click here:audrey-roma

Or download the PDF here Audrey Rome Italy Magazine

 

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Olive Oil Queen Tina Cancemi interview

Olive Oil queen, Tina Cancemi is a Japanese-Italian businesswoman who runs the Italian end of her business Olivo from the Roman ‘foodie friendly’ neighbourhood of Testaccio. Tina’s motto is ‘live, love, Olivo’.

I met up with Tina to share an olive or two and have a chit chat about Olivo. Here’s how her ideas came into fruition.

To read the full interview in Italy Magazine, click here:

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Vogue Fashion Night Out Rome

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Music blasted from the shop doors on Via Condotti as Champagne flowed freely inside. Not even thunderstorms could dampen people’s spirits, at this years Vogue Fashion Night Out 2012.

To read the full article in Italy Magazine, click here:

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Eataly- Italy’s Temple of food

Eataly- Italy’s Temple of food

Shopping, hopping and bopping around Rome, you might just want to stick a ball of fresh mozzarella in your basket. Enter the gates of Eataly, the largest outlet dedicated to Italian food in the world, and you are in foodie paradise. You wait your whole life for a shop like this, and three come along at once. New York, Tokyo and Rome.
“Mangia bene, vivi meglio!” (Eat well, live better!) is Eataly’s motto. The essential Italian mantra…

Click here to read the article in Italy Magazine:foodie-paradise-eataly

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John Grisham at Rome’s Literature Festival

 

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John Grisham at Rome Literature Festival

Read full article here John Grisham -The Roman Forum

Photo: Nicola Ferlei-Brown

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Valentino gowns @ ancient Roman altar

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At 75 years of age, Valentino, the man who has spent the last 45 years dressing the world’s most beautiful women, has decided to retire. Grand parties and elaborate fashion shows have followed in celebration of the designer who started his career in Paris at the age of 17.

Valentino 45 Years Of Style exhibition @ Ara Pacis in Rome, reported for The Roman Forum Magazine – November 2007 issue.

Read full article: download PDF Valentino

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